Check out these behind-the-scenes images of the set for Hamlet!
Our crew and design team is hard at work to create Hamlet's Denmark on the Wilma's stage. As you'll see in the pics, our design, envisioned by Matt Saunders, incorporates various elements of Street Art, like wheatpasting and graffiti. We are proud to work with Philadelphia-based Street Artist CERA on the creation of our set. The lettering you see is done by Juan Deminda.
CERA is a street artist currently based out of Philadelphia. He received his BFA from the Milwaukee Institute of Art & Design in 2012 with an emphasis in printmaking. After graduating, CERA pursued opportunities for working out east. He has exhibited work on and off the street in Milwaukee, Chicago, New York, Philadelphia and Seoul. This is his first experience working as a part of a set design team.
Check out a few of the costume design sketches by Hamlet Costume Designer Vasilija Zivanic!
Vasilija Zivanic (Vasi) is a recipient of the Kahn Career Award for Exceptional Talent, Ms. Zivanic’s credentials include Leaving by Václav Havel (The Wilma Theater), The Daughters of the Mood (Edinburgh Festival), Cosi Fan Tutte (Huntington Theatre), Venus, Necessary Targets, Godspell, La Lorona (The Beckett Theatre, NYC), and The Magic Flute; fabric painter for leading New York studio Parson Meares on Broadway including The Lion King, Wicked, Spamalot, Dracula, and Disney’s Finding Nemo, Monsters, Inc., and Aladdin. Ms. Zivanic works as a fashion designer and illustrator for various clients in the US and Europe. She is Professor at Parsons and FIT in NYC. Some of her work is published in The Big Book of Contemporary Illustration by M. Dawber and Fashion Drawing by M. Bryan.
Hamlet is most likely the best-known play in the world - it is certainly one of the most performed, filmed, quoted, and written about. Thinkers including Hegel, Marx, and Freud have drawn upon it in developing their theories. The play’s influence is so widespread some consider its title character, along with his contemporaries Faust, Don Juan, and Don Quixote, to have the status of a myth.
The Wilma’s productions of Hamlet and Rosencrantz and Guildenstern are Dead demonstrate Blanka Zizka’s evolving vision to create work around a company of artists, incorporating training and ensemble building to further develop the talents of the Philadelphia acting community. Prior to the commencement of formal rehearsal, company members were involved in training and workshops. NOW the company has come together to start their work on Shakespeare's greatest work, Hamlet.
Here are some shots from the rehearsal room!
Dear Audience Members,
Welcome to the exquisite play The Body of an American by Dan O’Brien. It’s an amazing moment when you read a play for the first time and realize that you have come across a complex, poetic, precise, philosophical, politically aware, smart writer whose work you hadn’t known. It’s a dizzyingly exciting moment in the life of the Artistic Director.
The play received its premiere at Portland Center Stage in 2013. However, at the time I was unaware of it. I read the script for the first time in December 2013. Since then, The Body of an American, according to London reviews, received a terrific and intense production at London’s Gate Theatre in 2014. This November Dan was shortlisted at the London Evening Standard Theatre Awards as the most promising playwright. A month earlier, The Body of an American received the Horton Foote Award for Outstanding New American Play. Previous awards for the script included the Edward M. Kennedy Prize for Drama Inspired By American History, the PEN Center USA Award for Drama, and the L. Arnold Weissberger Award. That’s a lot of recognition and awards for a play that is only receiving its second US production at the Wilma. I hope that our production will inspire other artistic directors around the country to produce this immaculately written and riveting play.