Blog

From the Desk of Kate Tarker: THE LIGHT WAS SUMPTUOUS THAT DAY

Posted Monday, April 11, 2016 - 12:49pm

We all know there are two types of people in this world. Playwrights who by nature would keep a blog, and playwrights who wouldn’t. By temperament, I wouldn’t.  I’m a private soul. That is why, up until now, I have only kept imaginary blogs. I have an imaginary blog about lighting design, in which I go see new plays and only talk about the qualities of light. I have another imaginary blog in which I give terrible professional advice to my friends. Do not steal my imaginary ideas. They may someday become manifest, like my imaginary tattoos. 

read more

Can science answer life's most important questions?

Posted Wednesday, January 20, 2016 - 1:47pm

In The Hard Problem, Tom Stoppard questions whether science can answer some of life’s most important questions. This is a subject that has pre-occupied him throughout his career, at least since his play Jumpers in 1972. He’s not the only one. Here’s a quote from a noted scientist of the 19th century: 

read more

Adaptation: Antigone Throughout History

Posted Friday, October 30, 2015 - 12:56pm

“Sophocles is the playwright of heroism, and Antigone is the first female character in drama to be a hero in the full sense of the word. She is the first conscientious objector.” - Marianne McDonald,

read more

The Body of Dionysus

Posted Wednesday, October 7, 2015 - 3:54pm

The work of the actor in tragedy under Mr. Terzopoulos’ direction is very different than standard American rehearsal practices, which often approach the plays through the frame of Freud, Stanislavsky, and realistic drama.  Terzopoulos’ work begins with intense physical training that puts the actor’s body through a series of increasingly difficult positions while focusing on breathing deeply into the diaphragm, followed by vocalizations in a series of sometimes strenuous body positions.

read more

A journey to the landscape of memory

Posted Wednesday, October 7, 2015 - 3:46pm

Back in 2011, during previews for Our Class, I read a brief review in The Guardian of a director I’d never heard of, whom the critic wrote had “created a theatre that, while it has elements of the work of Jerzy Grotowski, seems very much his own: one that explores the cornered human animal in all its naked desperation." I immediately shared the article with Blanka, whose interest was piqued.  “I got on the internet to find more,” she remembers, and she was taken with the acting, which had “a power and presence that I didn’t see that often.” This was our introduction t

read more