Taking the train down from NYC, I note:
Gray New Jersey.
Crossing into Philly, there are rowers on the river.
I think of Thomas Eakins -
… and I’m reminded how inspiring it feels, every time, to leave a routine.
We all know there are two types of people in this world. Playwrights who by nature would keep a blog, and playwrights who wouldn’t. By temperament, I wouldn’t. I’m a private soul. That is why, up until now, I have only kept imaginary blogs. I have an imaginary blog about lighting design, in which I go see new plays and only talk about the qualities of light. I have another imaginary blog in which I give terrible professional advice to my friends. Do not steal my imaginary ideas. They may someday become manifest, like my imaginary tattoos.
In The Hard Problem, Tom Stoppard questions whether science can answer some of life’s most important questions. This is a subject that has pre-occupied him throughout his career, at least since his play Jumpers in 1972. He’s not the only one. Here’s a quote from a noted scientist of the 19th century:
“Sophocles is the playwright of heroism, and Antigone is the first female character in drama to be a hero in the full sense of the word. She is the first conscientious objector.” - Marianne McDonald,
The work of the actor in tragedy under Mr. Terzopoulos’ direction is very different than standard American rehearsal practices, which often approach the plays through the frame of Freud, Stanislavsky, and realistic drama. Terzopoulos’ work begins with intense physical training that puts the actor’s body through a series of increasingly difficult positions while focusing on breathing deeply into the diaphragm, followed by vocalizations in a series of sometimes strenuous body positions.