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by William Steinberger
Alan Ayckbourn is one of the most prolific playwrights at work today. His output, however, extends far beyond the seventy-three plays he has authored. He is also a frequent essayist and interviewee on the subject of his work.
Ayckbourn has spoken at length about how he sees My Wonderful Day unfolding from Winnie’s perspective. The play was originally titled “Winnie’s Wonderful Day.” The change in title reflects Winnie’s role as first person viewer. The play is a children’s view of the adult world. “Adults drift away and you hear them talking in a corner,” he told the Yorkshire Post, “but you stay with [Winnie].” Interestingly, Ayckbourn’s official website notes that “prior to My Wonderful Day, children are generally heard but not seen in Alan’s plays.” As we learn about the adults that inhabit My Wonderful Day, “Winnie just observes, writes and makes us wonder: who are the children?”
Ayckbourn also sees Winnie in some ways as the most commonsensical and mature character in the play. “Her mother is a dreamer…and she says they’ll go back to the land of sunshine and you think, ‘C’mon mum get real.’” To The Press, he described, “By the age of eight or nine, you’re beginning to sort your parents out.” He further observed, “I wanted the child, Winnie, to be quite young. Young enough that the adults would misread her."